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Showing posts with label sterling silver. Show all posts
Showing posts with label sterling silver. Show all posts

Monday, January 15, 2007

Sterling Silver Jewelry: Ruby Etymology

The earliest European connection to the word Ruby, referring directly to the gem type and not describing the color, was ‘Rubinus lapis’: Latin for ‘Red Stone’. ‘Rubinus’ from the Latin ‘Rubeus’ originated from the ancient Proto-Indo-European language and its word ‘Reudh’: meaning ‘Red’. Proto-Indo-European, dating back to 3,500 B.C., was the root of all languages from Europe to India. Aside from European Greek or Latin, its influences can be seen in the Indian language of Sanskrit dating from 400 B.C., and its word for ‘Red’: ‘Rudhira’. Red is the only color in the spectrum that shares common etymological links that stretch across continents this far back into ancient history.


Although it’s no longer the case today, in ancient times Ruby was also referred to by another name. This word like ‘Reudh’ describes the Ruby’s coloration, but in a more figurative sense more closely related to the properties of a gemstone. The first recorded instance of this word appears in the Bible’s Book Of Exodus, which documents Moses leading the Hebrew slaves out of Amenhotep II’s Egypt, circa 1444 B.C.:

And thou shalt make the breastplate of judgment…
And thou shalt set in it settings of stones, even four rows of stones: the first row shall be a sardius, a topaz, and a carbuncle: this shall be the first row.
And the second row shall be an emerald, a sapphire, and a diamond.
And the third row a ligure, an agate, and an amethyst.
And the fourth row a beryl, and an onyx, and jasper: they shall be set in gold in their inclosings.

The Ruby was referred to as ‘Carbuncle’. This literally meant ‘A little burning coal’ from the prefix ‘Carbo’ as in ‘Carbon’. Pondering a ruby one can see the relevancy of the description: its deep reds burning like an ember in an open fire.

However, it seems that the ancients of the near east, unaware of the differences in red gemstones, used the term ‘Carbuncle’ as a universal term for all that was red including garnet, tourmaline and spinel. This confusion resulted in the mistaken identities of two of the most famous gemstones in history: The Timur Ruby and The Black Princes Ruby, one now in the Crown Jewels of England and the other in Queen Elizabeth II’s private jewelry collection. In 1815 both gemstones were discovered to be spinels.

The misnomer caused quite a fuss in Victorian England, so later on in1890 when the Irish author and dandy Oscar Wilde wrote ‘The Picture of Dorian Gray’, he was careful not to mince his words, choosing the more figurative of the red gemstones pseudonyms, carefully detailing its properties: “He would often spend a whole day settling and resettling in their cases the various stones that be had collected, such as the olive-green chrysoberyl that turns red by lamplight, the cymophane with its wire like line of silver, the pistachio-colored peridot, rose-pink and wine-yellow topazes, carbuncles of fiery scarlet with tremulous, four-rayed stars…”

Back east, home to the world’s most ancient and beautiful Ruby deposits, it seems that the art of Ruby identification was much more developed. On the ancient Southern Continent the Indian Sanskrit writings referred to Ruby as ‘Ratnaraj’: ‘The King of Jewels’, describing it as the most precious of all gemstones, the prized possession of Rajas and Emperors alike.



Written for SilverShake, an online retailer of sterling silver jewelry and silver jewelry at wholesale prices. Purchase today and get gemstone silver jewelry worth up to $60...Free!

Thursday, December 21, 2006

Sterling Silver Jewelry: Etymology Of Amethyst Part II

The ancient Hebrew word for Amethyst was ‘Ahlamah,’ this was derived from the word ‘Halom’ meaning ‘To Dream.’ There can be little doubt that this etymology shows a strong spiritual link between the gem and its believed powers to create visions.

In the same way the Greek ‘Amethystos’ was derived from words associated with the gems powers to prevent intoxication: ‘A,’ meaning ‘Not,’ + ‘Methyskein,’ meaning ‘Make drunk.’ This last word was derived from ‘Methys,’ meaning ‘Wine.’ The Greek compound of these words became ‘Amethystos’ which later was interpreted in Latin as ‘Amethystus,’ ‘Ametiste’ in Old French and finally ‘Amethyst’ in Middle English.

Although the exact beginning of the word Amethyst, and its connection to wine and curing drunkenness, cannot be pinpointed it must have been somewhere prior to 300 B.C. and the Septuagint who used the Greek ‘Amethystos,’ in their translation of the Old Testament. The association of Amethyst to wine may well have originated from this classical Greek tale of Bacchus, also known as Dionysus god of ecstasy, wine and the vine.

The god Bacchus, offended at some neglect that he had suffered, was determined to avenge himself, and declared that the first person he should meet, when he and his train passed along, should be devoured by his tigers. Fate willed it that this luckless mortal was a beautiful and pure maiden named Amethyst, who was on her way to worship at the shrine of Diana. As the ferocious beasts sprang toward her, she sought the protection of the goddess, and was saved from a worse fate by being turned into a pure white stone. Recognizing the miracle and repenting of his cruelty, Bacchus poured the juice of the grape as a libation over the petrified body of the maiden, thus giving to the stone the beautiful violet hue that so charms the beholder's eye.

In the first century A.D. Pliny the ‘Elder’, author of the world’s first encyclopedia ‘Natural History’ gives a more practical origin and meaning behind Amethysts name: “The name which these stones* (Pliny believed there were four types of Amethyst) bear, originates, it is said, in the peculiar tint of their brilliancy, which, after closely approaching the color of wine, passes off into a violet without being fully pronounced; or else, according to some authorities, in the fact that in their purple there is something that falls short of a fiery color, the tints fading off and inclining to the color of wine.”

Next Pliny continues on Amethysts’ supposed curative powers: “The falsehoods of the magicians would persuade us that these stones are preventive of inebriety, and that it is from this that they have derived their name… statements which, in my opinion, they cannot have committed to writing without a feeling of contempt and derision for the rest of mankind.”

Some two thousand years later J.F. Kunz, chief mineralogist for Tiffany’s, in his book ‘The Curious Lore Of Precious Stones’ gives a less skeptical and very credible reasoning behind Amethysts name and associated powers: “From the various descriptions of this stone given by ancient writers, it appears that one of the varieties was probably the purple almandine or Indian garnet, and it is not improbable that we have here the reason for the name amethyst and for the supposed virtue of the stone in preserving from drunkenness. For if water were poured into a vessel made of a reddish stone, the liquid would appear like wine, and could nevertheless be drunk with impunity.”

This article was written by David-John Turner for the Silvershake website, an online retailer of silver jewelry at wholesale prices. Purchase today and get gemstone silver jewelry worth up to $60...Free!

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Sunday, October 29, 2006

Amethyst The Church And The Color Purple

One of the world’s most popular gems, Amethyst is classified as a semi-precious gem. However, from pre-biblical times in ancient Mesopotamia, right up to the European Middle Ages, Amethyst was regarded as a precious gem. During the latter part of this period Diamond, Sapphire, Emerald, Ruby and Amethyst were attributed the joint title of the five ‘Cardinal Gems.’ Amethysts inclusion into the ‘Cardinal Gem’ set was due to the association made by Pharaohs, Kings, and of course Cardinals, who all held Amethyst’s purple color representative of the highest echelons of society.

By today’s standards the color purple is commonplace, and is easily bought as tincture and paint from any local hardware store. However, prior to the wonders of modern science purple dye was the single most rarest nuance available in nature. According to the Greek philosopher and tutor of ‘Alexander The Great,’ Aristotle: “In it’s purest form it possesses a value ten to twenty times its weight in gold!”

Legend has it that the first purple dye was discovered by Herakle-Melqart (city god of Tyr) who was walking along the Levantine shoreline with the nymph Tyrus. His dog found a Murex snail and devoured it, which left a beautiful purple color around the dog's mouth. Tyrus saw the color and told Herakle-Melqart she would not accept his courtship until he brought her a robe of the same color. So he collected the Murex shells, extracted the dye, and tinted the first garment purple.

The Levantine coast where they walked was an area that today encapsulates the city of Sur in modern Lebanon, known in pre-biblical times as Tyr. For thousands of years, this part of Lebanon was known as Canaan or Phoenicia, which literally translated meant ‘The Land Of Purple.’

Although the earliest purple dyes were found in Minoan pottery glazes on the island of Crete, circa 1900 B.C., Phoenicia and its principal city of Tyr were the first to exploit the Murex’s purple dye commercially. Tyrian texts mention the Murex’s dye as early as 1600 B.C., from where it became Tyr’s principal source of income for 100’s of years. It is from this geographical origin that we get the name ‘Tyrian Purple.’ It should be noted that by today’s standards the ancient purples, known as porpora, were more red than purple. They varied from a fiery red, to viola and an almost red-black.

The Murex dye industry proved to be so lucrative to the Tyrians that the shell was adopted as a symbol of Tyr appearing on their earliest coinage alongside their city god, Melqart. Over the course of time, and through extensive trade networks stretching from Babylonia, Egypt, Persia, and Rome the Murex’s highly coveted dye became synonymous with wealth and an exotic trade rarity reserved for the rich.

Of all countries that Phoenicia was to trade the Murex dye with it was Italy who would become her most loyal customer. The Phoenicians first traded in Italy with the Etruscans, a society of artisans particularly skilled in the art of jewelry fabrication. However, it was with the creation of Imperial Rome by Romulus in 753 B.C. that the Murex’s purple dye began to be synonymous with power, wealth and position.

Pliny the Elder, author of the world’s first Encyclopedia in the 1st century A.D. wrote: “I find that, from the very first, purple has been in use at Rome, but that Romulus employed it for the trabea…” The trabea was similar to the toga, and decorated with purple stripes. There were various kinds of trabea; one was completely purple and sacred to the gods, another was purple and white and was the royal robe worn by kings such as Romulus and later Tullus Hostilius. Pliny continues: “As to the toga prætexta (a toga bordered with purple, worn by magistrates and free-born children) and the laticlave vestment (a purple badge of the senatorial order), it is a fact well ascertained, that Tullus Hostilius was the first king who made use of them…” From this use as a status symbol in early Imperial Rome it was a matter of time until purple assumed another moniker, ‘Imperial Purple.’

Hundreds of years later, with the demise of the Roman Empire and the emergence of the Byzantine Empire, the usage of ‘Imperial Purple’ and ‘Tyrian Purple’ had been strictly reserved for nobility and the church. By the fall of Byzantium in 1453 the Murex shell had all but vanished, and in 1464 the Pope Paul II introduced the ‘Cardinal's Purple,’ authorizing the use of cochineal insect to dye cardinals' and archbishops' robes instead. The ‘Cardinal Purple’ of the cochineal was much closer to what we call purple than the Murex’s ‘Tyrian’ or ‘Imperial’ variety, and led to our modern interpretation of purple being a mixture of red and blue.

From this point in time onwards Amethyst, echoing the same purple coloration, became a regular feature in the ornamentation of Rome’s holy men, worn as rings and amulets as a sign of pious virtue. It is from these various associations that Amethyst, with its emblematic colors of the Roman Catholic Church, took its place amongst diamond, sapphire, ruby and emerald as a ‘Cardinal Gem.’

Copyright © SilverShake Corporation. All Rights Reserved.

Written for SilverShake, an online retailer of amethyst silver jewelry and sterling silver jewelry at wholesale prices. Purchase today and get silver jewelry worth up to $60...Free!